Mike French is an author and the owner and senior editor of the prestigious literary magazine, The View From Here which has been called many fine things since it started in 2007 including, "Attractive, informative, sparkling and useful" by the late Iain M. Banks and for having a “great passion and drive” by Booker shortlisted Tom McCarthy.

Mike’s debut novel, The Ascent of Isaac Steward came out in 2011 with Cauliay Publishing and was nominated for The Galaxy National Book Awards which due to an unfortunate clerical error was awarded to Dawn French.

Born in Cornwall in 1967, Mike spent his childhood flipping between England and Scotland with a few years in between in Singapore. Splitting his time between his own writing, editing the magazine, running workshops and working with atp media in Luton, Mike is married with three children and a growing number of pets. He currently lives in Luton in the UK and when not working watches Formula 1, eats Ben & Jerry's Phish Food and listens to Noah and the Whale.

Mike's second novel a dsytopian sci-fi called Blue Friday was released in 2012 by Elsewhen Press and was nominated for the Arthur C. Clarke award 2013. Convergence, his third book, was released in October 2013 from Elsewhen Press and was also nominated for the Arthur C. Clarke award 2014. 

Guest Article over at FictionBitch

I've a guest article today over at the wonderful site FictionBitch called (What’s the Story) Fiction as Art?

Here's a small sample ...

People are usually happy with the concept of a painting telling a story that can be interrupted in a number of ways and accept that a quick glance isn’t enough – you have to stand in front of it for a while whilst you personalise the meaning. So why then do we struggle when a novel works in the same way, when the writer uses words to paint images directly into a reader’s head to tell a story in a way that needs time to sit within their mind?

For the full piece click here.

Photocredit: Brett Davis